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One of the great music producers of the '80s died this week. Martin Rushent started out as working as an engineer on records by T-Rex, ELP, Yes and Fleetwood Mac. However it was a producer that he made his name. He helmed the first 3 Stranglers albums, as well as records by The Buzzcocks, 999, Generation X, XTC, The Rezillos, Téléphone and Rachel Sweet. He produced Altered Images, Intaferon, Leisure Process and The Associates too. It was his fascination with the newest synth technology that brought him his greatest successes, first with Pete Shelley's Homosapien album, and most notably with The Human League. Dare and it's companion remix album Love And Dancing were pop music at it's best, gleaming and modern. I thought he was a production genius. I used to buy records just because his name was on them. He made a bit of a producer's comeback in the 90's and was also involved in records with The Pipettes, Kila Kella and Does It Offend You, Yeah? (whose lead singer James is his son). He was a production genius and a legend of the mixing board. Rest in peace...


Box Codax is the new project from Franz Ferdinand guitarist Nick McCarthy. He has enlisted the help of his wife Manuela Gernedel and friend, poet and singer Alex Ragnew. Their new album Hellabuster is out now on Gomma. It features some production by Metronomy, and it is really quite delicious. It kicks off with the very Franz-ish title track, morphs into some tasty disco, then into some lovely downtempo balladry. It touches on chanson, folk, garage rock and of course a smidge of post-punk. The variety of the music combined with the fact that all three members sing (and with quite distinctive voices) makes this record a lot of fun to listen to. Enjoy a bit of Choco Pudding, and as always, click the arrow on the Soundcloud player to download the song. You can also listen to the whole album here.
NYC based combo Violens are my current obsession. Born from the ashes of Miami art collective Lansing Dreiden, they pick up from where that band left off. LD mixed art rock and prog with idyll pop, and slathered it in the gloss of the '80s. Violens retain all of those elements, but they punch it all up a bit more. Their debut album Amoral came out at the tail end of last year and it is chock full of psych pop gems. They start with a foundation of '60s jangle pop and '70s art rock and then couch it all in the sounds of '80s new wave with a dash of post punk. The record is crisply produced and the songs are super melodic, full of lovely vocal harmonies and anthemic choruses. One minute they are raging loudness - think Kevin Shields' guitar on a My Bloody Valentine record - and the next they hit you with blissful, quiet bits of dreaminess - think the perfect jangle of Johnny Marr. The music seduces you with it's sweetness, and then you realize that they're singing about nightmares, death and drug induced hallucinations. Gloom never sounded so good. They are good friends with MGMT - they've toured together and have remixed MGMT songs, so if you like MGMT there is a pretty good chance you'll like Violens. I am seriously amazed at how under the radar these guys are flying - I love this record and wish the whole world would get on board too.
It recently occurred to me that I've been doing this blog for 10 years now. When I started in 2001 I was a relative newbie to the web. I used Yahoo's GeoCities as my first foray into audio blogging. The name of the page was The Rezidence. It was a lot of writing and a few mp3s. Over the first 4 years I really dug into posting, and enjoyed seeing my readership grow. By 2004 I was stymied by GeoCities' limitations and decided to switch over to Blogger, and at the same time decided to rebrand the blog. (A few years ago Yahoo shut down GeoCities, and I found out too late to save any of the archive, so the only evidence of The Rezidence is preserved as a few pages on the Wayback Machine.) 


