
John Foxx - Young Man

John Foxx - Young Man

I have been rather broke these last few weeks, so as a result there hasn't been much in the way of new music. This has led to fewer posts, including two weeks in a row without Funky Friday! Today I am cleaning out my inbox, and you are getting some rather tasty tracks out of the deal. The Amplive remix of MGMT is beefed up with a rap from Mistah Fab. Cage The Elephant bring the skank on this remix. Van She give Pendulum the crispy Franco-electro workout treatment. The Hues Corporation is a '70s pop soul classic - thanks to Greg for hearing my special request and sharing! Hopeless rocks the bad haircut - click the link for a bunch more music, including the Haircut 100 sampling original version! Lulu Rouge are a Danish duo who are collaborators of Trentemøller. Bless You is the title track from their new album out this week, and is some nice dubby techno in the vein of The Knife or Gus Gus. Comment over there >>>>>>>> 
I am in touch with my inner android today. As I was grabbing CDs to take to work this morning I flitted over John Foxx's Metamatic and those Ultravox reissues and settled on Gary Numan. The day began with 1978's Tubeway Army. Here is a powerful trio - Gary, bassist Paul Gardiner and drummer Jess Lidyard - who harness the energy of punk rock and tart it up with ominous synths. Gary's drone was unique and his lyrics were about isolation and sex and schizophrenia and technology. Listen To The Sirens opens the album with muscular riffs and futurist ideas. Every Day I Die is an atmospheric ode to masturbation. The seeds had been planted for an interesting musical adventure. I then moved on to 1979's The Pleasure Principle...
Best known for it's mega hit single Cars, this album fully embraces the synthesizer and dumps the Tubeway Army name. Sure, it still rocks, but the synth rules. Instrumental opener Airlane is a chugging epic, all soaring synths and a melody reminiscent of Gary's electro-rock peers Ultravox. It's followed by Metal, where the synths and science fiction continue to dominate. These tracks still sound good to me, despite the fact that they are nearly 30 years old!
I was never much of a Dinosaur Jr. fan. I can say the same thing about Sebadoh. Lou Barlow was in both of those bands, and he also records as The Folk Implosion. I am a fan of the Folk Implosion. 1999's One Part Lullaby is my fave of theirs, a fantastic album of well orchestrated, catchy indie rock songs. There are lots of nice production touches, from the loops and electronics to the dulcimers and glockenspiels. I particularly enjoy Serge, which is an instrumental tribute to the grand old man of French rock, Monsieur Gainsbourg. It samples the most excellent rhythms from Serge's own Requiem Pour Un Con, and builds into a nice and atmospheric rocker with plenty of Gallic flavor.




