
7" promo single

9 Beats bootleg

Foley Room

Modeone compilation





The ever excellent Soul Jazz Records has a great new compilation out that takes a look at the rise of the U.K.'s independent music industry after punk. Spanning the years 1977 to 1986, it's called D-I-Y Do It Yourself and features 22 tracks from a broad variety of artists and styles. There are some things any hardcore post-punk fan will already have (Scritti Politti, Buzzcocks, Swell Maps and Throbbing Gristle) but there are some relatively unknown gems too. You get punk, funk, dub, electronic experiments and scrappy, edgy post-punk. It is a great snapshot of a fertile indie scene exploding all over the place. It comes packaged with a thick little booklet that is chock full of photos, extensive liner notes and interviews with label owners, bands, studios, mastering and pressing plants and printers. Today's picks show the variety available; APB bring the white boy funkateer thing, Icon A.D. bring the (punk) noise with an antiwar anthem which rings true today, and Thomas Leer brings the futurist synth experimentation. Excellent.


Today I turn the ripe old age of 43. Last night I got my drink on at my wife's nephew's wedding reception. They had an open bar and I enjoyed a few mojitos. Thankfully I have no headache, but everything is kind of fuzzy. The birthday has been a good one, starting with sleeping in until almost 10:00, followed by brunch at 20•21 with the wife, then home to lovely gifts and prizes, including a stack of new 33 1/3 books. The day is always a good excuse to post a couple of classics, so enjoy these...



Something I have never really discussed in depth here is my love for Depeche Mode. I was living in the UK when they began their ascent to pop stardom. My first exposure to them was the song Photographic on the 1981 compilation Some Bizzare Album. This collection is notable for some of the other acts on it, including The The, Blancmange, B Movie and Soft Cell, but I digress. I loved the boys from Basildon and their synths. They looked incredibly geeky, but they wrote some pretty catchy tunes. I have kept up with the band ever since the early days, and still have all the old 7"s and 12"s, although I did take a teeny break right around '93's Songs Of Faith & Devotion, which I bought, sold and bought again later.
Minnesota natives Low have a new album out today. The follow up to The Great Destroyer, it is called Drums And Guns. Like it's predecessor it is produced by Dave Fridmann. That record was startling to many because it positioned Low as a rockin' (as opposed to sleepy) trio. Those of you looking for more of the same should look elsewhere. This is Low back to their minimal selves, but in ways different from before. There are loops and drum machines and lots of studio tricks in the mix. I've been able to listen to it twice so far, and some of it is gooseflesh-y good. The vocal harmonies are as beautiful as ever, and the rhythms and bits of funky bass give the band a bit of groove. There are tracks that employ the more traditional Low sound, but it is the clicks and pops of the more experimental stuff that really grabbed my ear.




Tracey Thorn - Get Around To It
RJD2 - Just When
!!! - Heart Of Hearts (The Brothers Mix)
Hangar 18 - Think Big




